The
Halloween Children
moves with the grace of a zombie crawl. Like a found-footage horror movie from
the 70s the book is a slow, tiresome read of nothing more than enlightened
transcripts where the big boo doesn’t shock ya until deep in the third act. And
that shock? Well, nothing long-time genre aficionados would need to check on
their blood pressure meds over.
Co-authors Brian James
Freeman and Norman Prentiss set the stage in a prime place for a haunting: a
high-turnover apartment complex. Yet aside from a few groans and whispers and
things going bump in the night, the primary focus of the tale is on the fantastically
bad relationship of hellbound-parents-of-the-year Harris and Lynn. The couple so
incredibly dysfunctional they are presented as cliché caricatures, whose lives
are boring, miserable, and uneventful – until the event that occurs within the
apartment complex that is supposed to bring the family together and rise up
against the demonic invaders in great Spielberg-ian fashion. Except that never
happens. Perhaps to groove to a modern audience, the authors present the
third-hand details of the account by way of interviews and (prepare for a
shock) emails.
Terrifying. Even more
disturbing? No Twitter feed.
Interestingly, there is almost
no development with the titular characters – the children themselves.
Freeman and Prentiss
truly attempt to make a creepy Halloween tale. The slow pace and an
unsatisfying build up make this one all tricks and no treat.
Fun-sized chocolate bars
a go-go to both NetGalley and Hydra for the ghoulish opportunity of the advance
copy.
As Always,
theJOE
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