Hey Kids! Want to read about an unexplained mystery as told by two very old New
England reporters in a meandering style similar to how your grandfather used to
go on about his ’64 Chevy pick-up? Then break out the Coca-Colas and switch on
the Mr. Coffee, Uncle Stevie has a book for you.
To be fair, The Colorado Kid is not
quite that discouraging. The true narrative of this book, which slightly
deceptive, is more about the craft
of the story then the, as mentioned within the tale’s journalistic jargon,
feature thru-line. This is also King’s love-letter to old-fashioned reporting
as well as a chance to back up the treatise laid out in his memoir On Writing, which is a book any lover of
stories, let alone those told by King, should have in their library. The Colorado Kid, however, can at best
be settled on as a borrowed rental.
The Colorado King has old men Dave and
Vince, islanders from birth, pass on their newspaper torch to their flat-earthed
intern Stephanie, who has raw talent in need of honing. King cleverly, and
ploddingly, explores the nature of telling a mystery, as opposed to actually
solving the damn thing. Stephanie plays the role of the everyman/woman as King
takes his time through the codgers at hand, to lay out the mystery – a dead man
discovered on an island beach off the coast of Maine, no ID, save for a pack of cigarettes
purchased in Colorado – and gives the reader, through Stephanie, the ability to
play catch-up, to give life to what should be a dead story, to fill in the Ws
for all the Qs, while learning they don’t always line up to a perfect A. The
purpose of a story is that it needs to be told, and not always with a happy
ending, which is what happens here. Yet, that story does need to be compelling
and the main one here, that of Stephanie’s youth and eagerness, should have
been the road explored, and not the well-worn paths of two men trailing off
into the twilight. King, however, acting as the spokes piece, deserves that attention of an elder statesman and makes an even somewhat rote tale entertaining. Now pass me a cuppa coffee,
willya? Uncle Stevie has more to tell.
As Always,
theJOE
Showing posts with label Coke. Show all posts
Showing posts with label Coke. Show all posts
03 July 2018
23 August 2016
A Disaster Movie... Without the Entire Disaster...
The
Hatching has all the makings of a
b-grade, camp classic disaster film: a large cast of intertwining characters, a
global threat, no eminent solution. This should be great stuff – c’mon, carnivorous
spiders! Spiders that can hide in shadows, in containers, under furniture, and,
especially for this story, inside host bodies. Such a simple, tiny fear
exacerbated into apocalyptic terror. The problem the novel runs into is that
the story is not campy enough and while the horror is played straight, the weak
characters bloat a simple enough narrative.
Perhaps this is a personal fetish for author
Ezekiel Boone, or perhaps his metaphorical mirror is a tad too concrete, but
the lack of depth in the cast characterization, the blatant similarity of the
players, adds to the cliché the story is desperately trying to break from. Every
main character is in their early- to mid-forties and sustains solely on Diet
Coke. The men are either overweight schlumps or Captain America. The women are normal
enough to be the girl next door, but hot enough to be former lingerie models
(Boone’s words, not mine) – including the Hillary Clinton-esque POTUS. And
these are the people in whose hands hold the fate of all humanity.
Granted, once the action kicks in and Los
Angeles becomes the beachhead for the arachnid menace, The Hatching is a fun page-turner. Boone keeps up the pressure and
amplifies the stress as each character deals with the oncoming global
catastrophe. And then it ends. Rather abruptly. No sooner does humanity accept
its finale, then the first spidery wave ends. Because, of course, there is an
upcoming sequel. A sequel whose web I shall not become entangled within.
A fun read if spiders tickle a special fear
you are looking to overcome – and don’t mind a continuing story over a cycle of
creepy-crawly novels. Those seeking a typical three-act approach should spin
their silk elsewhere.
As always,
theJOE
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