Wrecked

Joe Ide opens Wrecked, the latest of his neo-noir IQ series, with the book’s protagonist in a world of trouble. For Isaiah Quintabe, the eponymous hero of Ide’s novels, his world consists of the mean streets of LA. Yet, hot to help a desperate artist track down her long-lost mommy, IQ’s world expands as he becomes tangled with Blackwater-ish consulting firm involved with the Abu Ghraib atrocity. IQ, naturally, only wants to be involved with said desperate artist and her tricked-out GTI. Wrecked, unlike Ide’s other offerings, sets IQ’s usual introverted coolness into conflict with a perilous need for action. Intuitive reflection gives way to risky reaction, placing this otherwise unique offering a step into the general genre.

Ide is a master in presenting a character’s progression. Dodson, IQ’s quote-unquote partner, is a newbie daddy who begins to realize that the hustle of the street is not beneficial to being a father, or a husband. He introduces Grace, who is neither quite a damsel-in-distress nor a femme fatale yet sits in the delta of the love interest Venn diagram. Ide, as always, excels in cutting to the quick with the villains du jour: Walczak, an ex-CIA op, and Rictor, a disgraced ex-LAPD. Ide gives meaning to their machinations and even a touch of honor to their code, warped or not.

Wrecked, though, has too much going on in the peripheral to properly come into focus. Aside from the case with Grace, IQ dabbles in other side projects as well as his dealings with Seb, the Rwandan criminal responsible for the death of his older brother. Any of these sub-plots had the potential of greater real estate and at least one instance achingly demanded more screen time. Mixed altogether, Wrecked becomes heavy with possibilities, slowing down its cause for that one righteous quest.

But only slightly.

Wrecked is a hip, cool cat of a crime tale stroking Ide as a worthy successor to Leonard’s offbeat tales. IQ’s mythology works at its best when pitted intellectually against a foe while verbally sparring with the slick-tongued Dodson. Wrecked is pure mainlining of adrenaline. It misses out on those quiet beats where the story usually comes together deep in Isaiah’s thought stream.

Being the Sherlock Holmes of Long Beach comes with its share of responsibility, which makes for a great read. Wrecked is a worthy entry into a world where everyone needs some extra IQ.


As Always,
theJOE

Righteous

Somewhere, either on the dust jacket or within on the literary reviews page, Florida-based writer Carl Hiaasen offered an outstanding critique of praise stating, essentially, no matter how fast Joe Ide writes, it’s clearly not fast enough. Couldn’t agree more. After reading Righteous, I need IQ #3 to drop on the market right now.

For the time being, we have Righteous, which as a follow-up is right in line with IQ. Here, the defining factor being this book’s narrative, which is separated into a dual timeline. One, in which IQ and Dodson deal with each other while rescuing a deep in-debt couple from the Triads in Vegas, while elsewhere IQ attempts to solve his brother’s murder back in Long Beach, possibly involving the Los Locos gang. And oh yes, both stories slam together spectacularly. Ide keeps the action fresh and the dialogue quick, but man, it’s the relationships between specific pairs Ide builds upon that truly make this story excel.

Naturally there is Isaiah and Dodson, the chronicled stars. Friends, perhaps partners, but not quite bosom buddies, the two verbally spar. Constantly. Their patter and witty repartee is amusing, endearing, and I did not want it to end. Ide has perfectly captured the true essence of these two characters, making them unique and refreshingly real.

Ide goes deeper, especially with the villains, and even those morally gray, such as DJ Janine and motorcyclist Benny. Star-crossed lovers whose love of gambling outweighs everything else. Then there is Janine’s father, Ken, a particular type of scum working for Tommy, who leads the Triads and places Ken in a similar position of servitude like those that Ken enslaves. There are Rwandan refugees Gahigi and Seb, the latter of which might, huge emphasis on that might, but still, rise to the level of Isaiah’s Moriarty. Los Locos gang leaders, the washed up Frankie, seeking one last street-wide brawl to cement his name with the barrio elite, and Manzo, his replacement who desires to corporatize the gang-banging lifestyle. And finally, the lovable loan shark Leo the Lion-Hearted and his Canadian giant heavy, Zar. Each of them exceptional with their layers of excess as Ide allows them time to grow and breathe and conclude their arcs.

Ide presents more than the usual genre offerings. His neo-noir style is combined with a hint of the best of the tried-and-true buddy cop pairings. The end result is… righteous. Or is that too easy? How about addictive… because if the next IQ runs late, I’m heading into massive withdrawal.


As Always,
theJOE