The Batman/Flash crossover is a tease and, like most teases,
the end result could have been presented in half of the time, and honestly,
with more of a kicker to the ending that, anyone familiar with the origins of
Comedian’s button, would have surmised from the beginning.
Looking at that beginning, Batman/Flash: The Button
collection excludes the issue/s where the blood-splattered button from the
Watchmen series first arrives in the DCU proper. Having the button residing in
the Batcave is gospel and has as much needed backstory as that huge T-Rex
statue Alfred is constantly dusting. Instead, this crossover provides a fun
fight between the Batman and the Reverse Flash that any fan of the Flash’s CW
TV show will enjoy, includes an unnecessary visit to the Flashpoint universe
that no one really asked for, and is packed with tons of foreshadowing and set
up for DC’s upcoming Geoff Johns’ project that is supposed to unite the
Watchmen characters with the mainstays from the DCU. Most assuredly, Alan Moore
is already spinning in his self-dug grave.
This edition collects two issues apiece from the current
runs of both Batman and The Flash. Tom King writes Batman and is paired with
artist Jason Fabok, whose art is really what elevates the book. Like the DCEU
movie Batman, Fabok’s character is all scruffy and gray, silent and righteous.
Fabok borrows the nine-grid panel layout
that the Watchmen made famous, and does justice to the homage. The Flash issues
are written by Joshua Williamson, who is both contemporary and safe. Veteran
artist Howard Porter provides visuals that are punchy at times, sketchy most
others. The work of John Dell, his finisher from their long-time-ago JLA
series, is sorely missed.
Throughout the issues, Batman and Flash fight Reverse
Flash, run through time, and question the existence of the button without
coming to a meaningful conclusion. A Watchmen character makes a kinda-sorta
cameo. A tease of the incorporation of a long-standing DC icon fills the
epilogue, concluding a tale that is over almost as fast as, well, you-know-who.
This collection is successful from the standpoint that
the creators brought forth a product they were commissioned to make: an
interesting lead-up for November’s Doomsday Clock. Another Countdown in the
DCU, albeit tighter and contained. Another Doomsday, albeit less Kryptonian in
origin. Consider me teased.
At least Blue Beetle didn’t die in this one.
A big Bat-thank you to my Flash-friends at NetGalley and
DC Comics for the preview ARC.
As Always,
theJOE
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