Suicide Squad: Heavy on Explosions, Light on Intrigue

A new, albeit familiar, Suicide Squad is formed as part of DC’s Rebirth project and easily falls in line to capitalize on the familiarity that the recent film provided. And like the movie before it, the comic is generic, played safe, and features a linear, if head-scratching, plot.

The premise is tried-and-true and even a bit cliché at this point. The baddest of the bad are recruited by the government to be the ultimate of shadow ops and installed with missions that no one in their right mind would take on. All of the usual personalities are in place for the role call: the assassin Deadshot, the Joker’s protégé Harley Quinn, the merc-with-a-gimmick Captain Boomerang, the cannibalistic-mutant Killer Croc, and so on. The basis for the organization is an easy one, and the formula is ripe with success. However, the plot for this graphic novel, much like the feature-length film, is as lackluster as it is frustrating. 

For this particular starting point, the team is hastily put together in order to invade a secret Russian vault and abscond with a Phantom Zone generator. Yeah, like that Phantom Zone. Superman and General Zod and all that. Instead of a mirror floating endlessly in space, this portal is represented as a back orb. Yet never in this story, and perhaps this why the “Volume 1” designation appears, does writer Rob Williams bestow any answers for the whys. Why does Russia have this? Why does America want it? And why send a squad that is almost entirely comprised of typical human agents who simply wield guns, swords, or, well, boomerangs, to go against a potential Kryptonian menace? Hello, yellow sun. And finally, with all that has happened before with this series, even looking back to the John Ostrander and Luke McDonnell’s conception back in the eighties, why isn’t this introduction more exciting? Jim Lee’s artwork, which is merely serviceable in this outing, does not provide any further answers.

Fortunately, Suicide Squad, Volume 1: The Black Vault contains some entertaining back stories on key characters. One to note of features the gorgeously illustrative work of Gary Frank spotlighting Harley Quinn. Another focuses on Captain Boomerang and his amusing fantasy of being an Australian super-spy. Both of these tales were written by Williams, proving he can break out the imagination when needed and crafts the back-ups with more attention and appeal than that of the main plot. Maybe that imaginative force is behind bars at Belle Reve and is only allowed to work on certain missions? Yet another question that requires an answer.

Thanks to both Netgalley and DC Comics for the advance preview of the new Suicide Squad title. Reminds me of my letterhacking days and receiving similar advance copies for solicitation. I’m glad to be able to contribute such reviews again.

As Always,
theJOE